Young Kendrick Johnson. Murder or Accident?


 

By Jueseppi B.

 

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1 of 3. Kendrick Johnson Movement; Serenity Church; Al Sharpton NAN & Rally Valdosta, GA

 

 

 

 

2 of 3, Kendrick Johnson Death in Valdosta, Georgia May 3, Sharpton in Valdosta, GA.

 

 

 

 

 

3 of 3, Al Sharpton; Kendrick Johnson Death in Valdosta, Georgia

 

 

 

 

 

Al Sharpton National Action Network Vs. Valdosta-Lowndes County Open Records Info

 

 

 

 

From ClutchMagazineOnline.

 

What Happened to Kendrick Johnson?

 

 

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Kendrick Johnson was found dead 110 days ago. The sophomore’s bruised and battered frame was hidden in a rolled-up mat in Georgia’s Lowndes High School’s gymnasium. Johnson’s parents believe he was murdered and are seeking answers and justice.

 

 

Authorities have ruled Kendrick Johnson’s death accidental, claiming Johnson was ensnared in the mat while attempting to retrieve a piece of clothing. A preliminary autopsy found no signs of struggle or injuries congruent with a murder. The case was closed soon after the autopsy results were released.

 

 

Lowndes County Sheriff Chris Prine issued this release Thursday- 

 

This morning Sheriff Prine, investigators from the Sheriff’s Office, Lowndes County Coroner Bill Watson and District Attorney J. David Miller and all met and participated in a conference call with the Georgia Bureau of Investigation.

 

In addition of the persons from Lowndes County, the call was attended by Doctor Maryanne Gaffney-Kraft, the medical examiner who conducted the autopsy of Kendrick Johnson in January, George Herring, Deputy Director of the Georgia Bureau of Investigation-Division of Forensic Sciences, Doctor Kris Sperry, Chief Medical Examiner for the Georgia Bureau of Investigation and representatives from the Forensic Biology section of the Georgia Bureau of Investigation.

 

During this call, the findings of recent forensic testing and the autopsy were relayed. Based on the findings of the investigation, physical evidence, forensic sciences and the autopsy, the death of Kendrick Johnson has been ruled as an accident as a result of positional asphyxia.

 

Although not previously released, Sheriff Prine stated that this investigation was very extensive and included the completion of multiple forensic tests, including DNA samples collected from the scene and the interview of over one hundred {100} persons, including students, teachers and other people who were identified as the investigation progressed.

 

Nothing learned during the investigation has indicated anything other than this was a tragic accident.

 

Sheriff Prine continued to express his sorrow for the family and hopes that with the release of the investigative findings, including the medical findings, the family can find the answers they seek and begin the healing process.

 

 

 

This explanation hasn’t persuaded Johnson’s father. Kenneth Johnson believes his son was murdered and left in the mat to be discovered.

 

“He was last seen third block going to fourth block, he was seen no more,” Johnson told the local news affiliate, WALB. “Then again, I want to express how did my son go missing during school hours in broad daylight? We know our son was murdered while he was at Lowndes High School. We do know that.”

 

A graphic photo shows Johnson with visible lacerations on his face. The coroner claims the injuries are due to all of the blood rushing to his head while he was attempting to escape the map.

 

These explanations are not satiating the Johnson’s quest for answers. His parents have requested a complete autopsy, but allege authorities have not been cooperative or transparent about their investigation. Lowndes High School’s administration refuses to release security camera footage of Johnson entering the gymnasium or what occurred in the moments prior to his death.

 

The sheriff’s department did not contact the coroner until six hours after Johnson’s body was discovered, leading speculation that evidence was either removed or tampered with prior to the notification of death. The coroner, Bill Watson, claims his investigation was compromised by the delay.

 

“This was not fair to the decedent, his family, and the citizens of Valdosta and Lowndes County, Ga. And it’s wrong as rain,” Watson told the Examiner.

 

He continued. “Well it compromises my investigation one hundred percent. I don’t know what the county did when they got there on the scene. The body had been moved. The scene, in my opinion, had been compromised.”

 

All of these missteps are prompting the Johnson family to continue probing for answers. On April 25, Johnson’s parents staged a demonstration at the Lowndes Judicial Complex in Valdosta, Georgia. Supporters chanted and held “No Justice, No Peace” signs before blocking the front door to the complex.

 

Johnson’s parents and five other supporters were arrested for civil obedience, but still plan to continue protesting until a resolution is reached.

 

A final autopsy was conducted, but the results haven’t been released by the GBI Crime Lab. The sheriff’s department has no approximate estimation for when the results will be available.

 

“We certainly would like to get it as fast as anybody but we don’t know when the GBI will be able to complete this testing,” Lt. Stryde Jones of the Lowndes Co. Sheriff’s Office told The Global Dispatch.

 

“We’re still waiting the final facts and to close it out prematurely and to make a premature decision would just be totally wrong, and we wouldn’t be doing justice to the family, to the community, or to ourselves as a law enforcement agency,” Jones explained.

 

Johnson’s father is still grieving. He asked local reporters, “How can you go on when you have a beloved child who wakes up everybody in the house and makes a laugh out of everything, how can you go on? It’s hard.”

 

However, the family’s mourning is not keeping them from seeking justice for Kendrick.

 

The question we must all continue to ask is: What happened to Kendrick Johnson?

 

Thank you ClutchMagazineOnline.

 

 

 

The Results Are In: 17-Year-Old Kendrick Johnson’s Death Ruled An Accident 

 

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After suspicion that their son was murdered and a call for further investigation, officials in Lowndes County, Ga. are finally announcing the anticipated autopsy results that will reveal the cause of Kendrick Johnson’s death.

 

According to WCTV:

Based on the findings of the investigation, physical evidence, forensic sciences and the autopsy, the death of Kendrick Johnson has been ruled as an accident as a result of positional asphyxia.

 

However, Kendrick’s family isn’t convinced.

The family believes Johnson was murdered. His body was found inside a rolled-up cheerleading mat in the old Lowndes High School gym January 11th. Investigators believe he was in the gym alone, reached into the mat to get something he dropped, and got stuck.

“I’m frustrated that my nephew was supposedly found in a mat, when that doesn’t make sense,” said Johnson’s Aunt, Stacy Roe.

 

 

Civil Rights activists with Reverend Al Sharpton’s National Action Network and The United Justice League led the rally, calling for a federal investigation.

 

“We want an independent investigation, lets just say by an agency with higher credentials than Lowndes County. There’s been a number of what we feel are inconsistencies, are mishandlings, and for that very reason is why we want another set of eyes,” said Atlanta’s National Action Network Chapter President, Marcus Coleman.

The family says they expected the autopsy report would rule the death as an accident. And they plan to keep rallying until federal investigators step in.

“When you have the body that’s been moved, when you have the Coroner’s Office being notified hours later, when you have the misplacement of his clothing, which could be a direct indicator of any evidence needed to move forward,” said Coleman.

Read more:

 

 

Related Stories

 

 

R.I.P Kendrick Johnson Facebook Page

 

The Johnson and supporters of the KJ movement have continued to put pressure on local officials through peaceful assembly in a myriad of demonstrations throughout the month of April on the streets of downtown Valdostaand near the Courthouse. The Johnson and supporters of the KJ movement have continued to put pressure on local officials through peaceful assembly in a myriad of demonstrations

 

 

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Kendrick Johnson (Bottom) looks the same as Emmett Till 2 days after he was found (On Jan. 11, 2013) deceased at Lowndes High School, but the Sheriff say that no foul play was involved…THE DEVIL IS A LIE!!!…The Johnson family needs the TRUTH AND JUSTICE!!!

 

 

 

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This is a picture of Kendrick Johnson’s father trying to get himself into one of the mats they say Kendrick Johnson supposedly gotten himself stuck in. His father was trying to push himself into the mat & this is all he could get inside of the mat… Y’ALL BE THE JUDGE!!!

 

 

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Black History Moment: Black American Artist, Mr. William Johnson


By Jueseppi B.

 

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One of William Johnson’s many self portraits.

 

 

William Henry Johnson (March 18, 1901–1970) was an African American painter born in Florence, South Carolina, and is becoming more widely recognized as one of the greatest American artists of the 20th Century. He became a student at the Nation Academy of Design in New York. As his style evolved from realism to expressionism to a powerful folk style (for which he is best known), his work always evokes transitory and sublime sensations, that have been often mimicked but never matched. Without question, he has widened the perimeter of how the Negro historical experience will be remembered and how it will be defined in the future.

 

 

Career

In 1944 his wife, Holcha Krake, a Danish textile artist whom he met in Cagnes-sur-Mer, France, died from breast cancer. To deal with his grief, he took work in a Navy Yard, and in 1946 left for Denmark to be with his wife’s family. Johnson soon fell ill himself, from the effects of advanced syphilis, and returned to New York in 1947 to enter the Central Islip State Hospital on Long Island, where he spent the remainder of his life. He stopped painting in 1956 and died on January 1, 1970.

 

Before his death he donated all of his work to the National Museum of American Art, now the Smithsonian American Art Museum. In 2006, the Smithsonian American Art Museum organized and circulated a major exhibition of his works, William H. Johnson’s World on Paper. The exhibition traveled to the Montgomery Museum of Fine Arts in 2007.

 

 

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Street Musicians (1939-1940), by William H. Johnson.

 

 

 

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Self-portrait, ca. 1930-1935

 

 

 

Known for distinctive modernist images of African American life, William Johnson died destitute and deranged from syphilis, having spent the last twenty-three years of his life in the Central Islip Sate Hospital on Long Island.  He stopped painting in 1956.

 

One of his chief sponsors and exhibitors for his art was the New York Harmon Foundation, which, in 1929, presented him the “Award for Distinguished Achievements Among Negroes in the Fine Arts Field.” Most of his work was h (showing 500 of 6965 characters).

 

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In 1947, he was committed to an institution as a result of a mental breakdown. Three years before his death, he donated all of his work to the National Museum of American Art. His collection consists of hundreds of watercolors, oil, and drawings done with Constructivist and African tribal influence.

 

Some said he died of a broken heart.

 

h1 William H. Johnson (American artist, 1901-1970) Soap Box Car Racing 1939-40

 

 

 

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Johnson was not a self-taught or outsider artist. At age 17, Johnson moved to New York City, where he supported himself by working as a cook, hotel porter, and stevedore. In September 1921, he enrolled at the School of the National Academy of Design (NAD). Between 1923-1926, during the academic year he studied with Charles W. Hawthorne at the NAD and during the summers at The Cape Cod School of Art in Provincetown, Massachusetts.

 

 

f William H. Johnson (American artist, 1901-1970) Lil' Sis

William H. Johnson (American artist, 1901-1970) Lil’ Sis

 

 

In 1926, Johnson sailed to Paris to study art. He worked as a custodian to make ends meet. Over the next few years, he held exhibits in France, Germany, Luxembourg, and Belgium. In 1930, Johnson married Danish textile artist Holcha Krake. Johnson and his wife worked in countries throughout Europe; and in 1932, the couple arrived in Tunisia, where Johnson hoped to learn more about his African heritage. After a 3 month stay, they returned to Denmark via France.

 

 

f William H. Johnson (American artist, 1901-1970) Mom and Dad 1944

William H. Johnson (American artist, 1901-1970) Mom and Dad 1944

 

 

 

During the next couple of years the Johnsons visited Norway and Sweden, where they continued to exhibit their art. The couple spent most of the ’30s in Scandinavia, where Johnson’s interest in primitivism and folk art began to have a noticeable impact on his work.

 

 

fa1 William H. Johnson (American artist, 1901-1970) Farm Couple at Well 1939-40 Print

William H. Johnson (American artist, 1901-1970) Farm Couple at Well 1939-40 Print

 

 

 

Johnson’s bold, rough woodcuts from the 1930s, inspired by German expressionist woodcutting techniques, distinguish his prints from the work of most other American artists, who used more traditional methods of printmaking. The materials he used for making relief prints were readily available: scrap lumber or a piece of linoleum.

 

 

fa2 William H. Johnson (American artist, 1901-1970) Deep  South 1940-41 Print

William H. Johnson (American artist, 1901-1970) Deep South 1940-41 Print

 

 

After he and his wife returned to the United States in 1938, Johnson continued to produce relief prints. He also began to experiment with serigraphy. While many American artists of his generation created multiple impressions of a single image, Johnson often varied the image from one impression to the next. His prints, like his paintings, reveal the development of his distinctive artistic language to express powerful narrative, emotional, and symbolic content.

 

Back in the US, Johnson immersed himself in the traditions of the African-American community, producing work characterized by its stunning, eloquent, folk art simplicity. Like Jacob Lawrence and Romare Bearden, Johnson began probing the black experience, drawing imagery from his rural southern childhood and from Harlem’s upbeat urban ambiance  A Greenwich Village resident, he became a familiar figure on the New York art scene.

 

Although Johnson enjoyed a certain degree of success as an artist in this country and abroad, financial security remained elusive. William H. Johnson taught painting for a short period of time at the Harlem Community Art Center. The Metropolitan Museum of Art included his work of black soldiers in its 1942 exhibit Artists for Victory.

 

By the time of his death in 1970, he had slipped into obscurity. After his death, his entire life’s work was almost disposed of to save storage fees; but it was rescued by friends at the last moment. Over 1000 paintings by Johnson are now part of the collection of the Smithsonian American Art Museum in Washington, DC.

 

 

fa10 William H. Johnson (American artist, 1901-1970) Chain Gang 1939

William H. Johnson (American artist, 1901-1970) Chain Gang 1939

 

 

 

h3 William H. Johnson (American artist, 1901-1970) Cafe 1939

William H. Johnson (American artist, 1901-1970) Cafe 1939

 

 

To see more of this amazing artist’s work, visit:

American Artist William H Johnson 1901-1970 – From the Deep South to New York to Europe & Back

 

 

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Whats Wrong With Our America


 

By Jueseppi B.

 

 

 

 

 

Tea Party Senator: Keeping Guns From ‘Demented Individuals’ Will ‘Restrict Our Freedoms’

 

 

Ron Johnon on guns…A true genius.

 

 

 

Responding to the tragic shooting in Colorado during an appearance on Fox News Sunday, Sen. Ron Johnson (R-WI) said he would oppose gun control efforts that could be used to “restrict our freedoms” and instead suggested arming “responsible” people to combat “sick, demented individuals who want to do harm.”

 

Johnson also argued that any additional measures to restrict large gun magazines that carry 100 rounds of ammunition — similar to the high-capacity clip that the alleged Colorado shooter employed — would infringe on Americans’ Second Amendment rights:

JOHNSON: People will talk about unusually lethal weapons, that could be potentially a discussion you could have. But the fact of the matter is there are 30-round magazines that are just common.You simply can’t keep these weapons out of the hands of sick, demented individuals who want to do harm. And when you try to do it, you restrict our freedoms.

 

Johnson’s statement was in direct opposition to Sen. Dianne Feinstein (D-CA), who came on the program to call for a renewed assault weapons ban. “I believe people use these weapons because they can get them,” she said. “I believe that a revolver, a rifle, a hand gun isn’t going to do the damage. It’s the big clips, a hundred rounds. You can’t get to him to dislodge the gun because he can fire so rapidly and has so many bullets.”

 

Johnson disagreed and argued that the assault weapons ban, which expired in 2004 and banned high-capacity magazines, actually made things worse in the Aurora shooting. “If a responsible individual had been carrying a weapon, maybe, maybe they could have prevented some of those deaths, some of those injuries,” he said.

 

 

This idiot was elected into our government by some very sick, misguided, uninformed moron voters.

 

I suggest instead of voter ID laws, voter registration be based on common sense, logic & critical thinking. The TeaTardedRepubliCANT voters would be shit out of luck.

 

 

 

 

 

 

Register To Vote 

Declare Yourself & Vote 

I Want To Vote

Voter Participation Center

Can I Vote?

 

 

“BARACK” The Vote

 

 

 

Black History Moment ~ Ms. Linda Johnson Rice


By Jueseppi B.

 

 

 

 

Personal Information

Born on March 22, 1958, in Chicago, IL; adopted by John H. (owner of Johnson Publishing Company) and Eunice W. Johnson (editor); married S. Andre Rice, 1984 (divorced 1994); children: Alexa Christina.
Education: University of Southern California, Los Angeles, BA, 1980; Northwestern University, MBA, 1987.
Memberships: National Association of Black Journalists; Women’s Board, Boys & Girls Clubs of Chicago; Board of trustees: Museum of Contemporary Art, University of Southern California; board of directors: Continental Bank Corp, Magazine Publishers of America, Bausch & Lomb, Kimberly-Clark Corp, Omnicom, Viad Corp, Quaker Oats Co., Northwestern Memorial Corp., National Underground Railroad Freedom Center, Princess Grace Foundation.

Career

Johnson Publishing Co., Chicago, IL, vice president, 1980-87, president and chief operating officer, 1987-2002, president and chief executive officer, 2002- to present.

Life’s Work

Linda Johnson Rice knew from the age of six that she wanted to work with her mother, Eunice W. Johnson, and her father, John H. Johnson, at the eponymously-named publishing company they founded in 1942. Still she had to wait until the mature age of seven to begin training for her chosen career. Since that tender age she has worked herself into the posts of president and chief executive officer of Johnson Publishing Company (JPC), the largest black-owned publisher of magazines in the United States. The Chicago-based company has more than 2,000 employees, owns Ebony and Jet magazines in addition to a number of radio stations; syndicates television shows; markets Fashion Fair and Ebone cosmetics and hair-care products, and, beginning in 1993, sells clothing for black women through a joint-venture with the Spiegel Co. under the name E-Style.

Born on March 11, 1958, in Chicago, Illinois, Rice’s childhood playground was the fashion department of Ebony magazine, where she regularly visited her mother, then the secretary-treasurer and fashion editor. William Berry, a journalism professor who was an editor with Ebony for seven years, recalled to theUSC News, “She was always asking you questions, trying to figure out what you were doing.” Rice even attended meetings in which editors were making important decisions such as what photo to put on the magazine’s cover. “We’d struggle over different pictures,” Berry noted, ” and then Linda would say something like, ‘Well, so-and-so’s not frowning in that picture. I like that one better.’ And sometimes you thought, ‘You know, she’s right.’” By the time Rice was in college, she was getting even more involved with the company, helping with the selection of gowns for the Ebony Fashion Fair, the company’s traveling fashion show.

Going into the family business was solely Rice’s decision; John H. Johnson never pushed his daughter into the business, but he “tried to set an example for her that she might want to emulate,” reported Ebony magazine. It was after completing her undergraduate work at the University of California-Los Angeles that she started working closely with her father. “At first I was like a sponge, sitting in all the editorial meetings, watching how he made decisions,” she told Working Woman. Rice was present at every important meeting Johnson had and reviewed every piece of incoming mail, along with her father’s response to those correspondents.

The more Rice learned, the more she wanted to know and become involved with all aspects of the publishing company, including advertising, circulation, and Fashion Fair Cosmetics. Although she was the unchallenged heir to her father’s empire, she gained self-confidence and a more analytical approach to management problems by going to business school. “She didn’t need it [a graduate business degree] for me but for herself,” Johnson told writer Renee Edelman in Working Woman. “It is difficult to establish credibility [in the business world],” he said, and the master’s degree “was a way to answer any possible critics.”

 

Earned a Business Degree

While taking graduate business courses at night at the J.L. Kellogg Graduate School of Management at Northwestern University, Rice traveled to Europe for the couture showings and helped select models for the show. Rice also helped direct Fashion Fair Fashions, a mail order catalog featuring quality clothing targeted to women who read Ebony. Later she would use her business connections to lure entertainers onto the syndicated television show Ebony/Jet Showcase that her company began producing.

Of her education at Northwestern, Rice told Ebony that although it was difficult juggling her responsibilities at Johnson Publishing and going to school at night, she believed that Northwestern helped prepare her for her position. “We did a lot of case study work, which is really the Harvard Business School method also. It really taught you how to think through a problem. How to recognize what the problem is. How to come up with different strategies to solve the problem. How to look at the competition and the barriers to entry, as they call it. And then how to come up with a conclusion for it. And I think that was very important,” she said.

Rice’s father, John H. Johnson, promoted his daughter to the number two spot with Johnson Publishing after she received her master of business administration in management degree from Northwestern University in 1987. Johnson had founded the business in 1942. Using a $500 loan–his mother’s furniture served as collateral–he sent 20,000 people a letter offering subscriptions to a new black magazine, Negro Digest. From that early base, Johnson built an empire in publishing, broadcasting, cosmetics, and, in a separate company, life insurance.

Rice’s brother, John Jr., two years older than she, was never a rival for a role in the company. According to Working Woman, John Jr. didn’t want to be a publisher like his father. Instead, he chose photography and adventure sports such as racecar driving and skydiving. John Jr., who had suffered since childhood from sickle-cell anemia, died in December of 1981 at age 25.

The senior Johnson, who was 69 when he handed day-to-day responsibility for JPC operations over to Rice, continued to set strategy and policy at the company, in his capacity as chairperson, chief executive, and publisher. Some business experts questioned whether Rice–still in her thirties–was capable of running the multi-million-dollar company; others expressed more confidence in her abilities to Business Week reporter Lois Therrien. “Clearly she is ready,” said Earl G. Graves, editor and publisher of Black Enterprise. “She certainly has the sophistication and training for the job.”

 

 

 

 

 

 

Donated Time and Money to Others

Rice’s single-minded devotion to working in the family business did not mean she does not enjoy her leisure time. An avid horseback rider since childhood, she has won awards in equestrian hunting and jumping events and still enjoys riding. She also swims and plays tennis, and she seldom misses a Chicago Bulls home basketball game. Like her parents, Rice is an avid art lover and collector and devotes considerable time to charitable concerns, including the Boys & Girls Clubs of Chicago and the United Negro College Fund. She sits on the board of directors of such companies as Bausch & Lomb, Kimberly-Clark Corp., Viad Corp., Quaker Oats Co., and numerous others. Rice is also the member of the board of trustees for the Museum of Contemporary Art and University of Southern California.

In an extensive interview in Ebony magazine celebrating JPC’s 50th anniversary in 1992, Rice said that being involved with charitable endeavors, whether as a volunteer or a contributor, is important for everyone. “That’s where it starts,” she said. “It has got to start with someone who can give hands-on time to somebody–to a child, to an elderly person, to a handicapped person. To someone who is illiterate, just sit down for an hour and teach them how to read. That’s where it all starts…. You can’t just take, take, take. We’ll never progress as a group of people without giving back.”

In the same interview with Ebony senior staff editor Lynn Norment, Rice talked about her management style, her goals, and her aspirations as the company prepared for its next half-century. “What I learned from [my father] is that you must pay a great deal of attention to details,” she said. “I don’t think you have to oversee every individual blade of grass, but you should know the fundamentals of how to make that grass grow. That’s the only way for you to supervise and know if the person you are giving directions to is doing the right thing. You’ve got to know how to do what they are doing.”

“People have this image about black companies sometimes, that they are not as professional, that they are not as well organized,” Rice continued in the Ebony interview. “I don’t think that’s true at all if you look at us, if you look at Black Enterprise, if you look at Essence, if you look at Soft Sheen, and H.J. Russell & Co. These are first-class companies. People are amazed. And it’s not only white people who are amazed, but black people are amazed, too. … There is something wonderful about working in the environment in this company, looking around and seeing other black people who are your coworkers, whom you have good feelings about, and who are professionals. Johnson Publishing Co. has always had a first-class image. And until the day I die, I want to keep that image.”

 

Established JPC Goals for the 1990s

Rice, who gets up at six in the morning to be in her office by 7:30 a.m., had ambitious plans for the continued growth and expansion of JPC. She wanted to expand the circulation of the business with direct-mail campaigns and advertising, extend the cosmetics company internationally to reach women of color around the world, and develop television specials and documentaries. One such venture in the broadcast media was the Ebony/Jet “Guide to Black Excellence,”; a videotape series created to motivate and inspire black youth. Actor Charles Dutton, former Virginia Governor L. Douglas Wilder, Maxima Corporate chief Joshua Smith, Children’s Defense Fund Founder/President Marian Wright Edelman, and author and poet Maya Angelou are featured in the series, which is narrated by actor Avery Brooks.

The videotape series focused on entrepreneurship, leadership, entertainment and the arts, and includes accompanying guidebooks for parents, educators, and young people. “We feel this series is especially significant for black youth in their formative years because it features black achievers to whom they can relate,” said Rice at a press conference announcing the video guides. “It features black achievers who have overcome many of the same obstacles they may be facing now–black achievers who tell them in a very inspiring way how they made it and indeed how [viewers] can make it too.”

In a 1990 interview with Fortune magazine’s Brian Dumaine, Rice summed up her outlook for African-American business people. “There are more opportunities today for the black entrepreneur than in many years,” she said. “They have learned how to acquire capital, how to put together business plans, and how to start enterprises. There is still some discrimination in lending practices, and certain bank officers will have petty prejudices. A black entrepreneur has to be equally if not more prepared than a white to get his fair share of loan money.”

Rice has been the recipient of several awards. In 1999 she was honored with the From Whence We Came Award from the Allstate Insurance Company. The following year she was recognized for her leadership with a Phenomenal Woman Award. Upon receiving the award, Rice made it a point to recognize her mother and grandmother, as well. “I accept this award not only for that which you have so kindly noted I have achieved in corporate America, but I also accept in honor of the phenomenal women who came before me,” she was quoted as saying in Jet.

 

Promoted to President and CEO

In the spring of 2002 Rice was named president and chief executive officer of JPC. Health problems had kept her father out of the office for a year, and, after an Ebony editors’ meeting, he gave Rice a letter thanking her for taking the reins in his absence. The letter went on to say, according to the USC News, “In light of all you’ve done, I want you to have the title of CEO.” Rice’s promotion was announced at an Ebony-sponsored luncheon to honor black women in the media on April 12, 2002.

One of the few women to take control of a family publishing empire, Rice introduced a different managerial style to JPC. “My father is the entrepreneur, and I’m more of an operations person,” Rice was quoted as saying in USC News. “When you’re an entrepreneur, you have a vision for the birth and growth of a business. When the business gets to this size, you focus on how to manage the growth.” However, Rice planned few significant changes in the way JPC is run. “It would be a mistake to come in and alter a lot of things,” she commented in the USC News. “We have a tried-and-true formula, but we are always making subtle changes.” In the future, Rice hoped to devote more coverage to such issues as education, economic parity, and drug abuse.

As the publishing industry faced a challenging time–in 2002 advertising revenues were at the lowest the industry had seen in years–such subtle changes would be necessary for success. Yet with more than 2,500 employees, JPC maintained its “family business” atmosphere. Managers keep their office doors open and many employees stay with the company for thirty years or more. “This is more than a business,” Rice told Folio: The Magazine for Magazine Management, in 1994. “This is my life. This is my family.”

Awards

From Whence We Came Award, Allstate Insurance Co., 1999; Phenomenal Woman Award, 2000.

Read more: http://www.answers.com/topic/linda-johnson-rice-1#ixzz1oJiy3aoy

“One A Day” Black History Month ~ Mr. Lonnie G. Johnson.


By Jueseppi B.

Seventeenth in the “One A Day” Black History Series…….Mr. Lonnie George Johnson.

Mr. Lonnie G. Johnson, remember that name because he invented something we have all used as kids and adults alike…..Lonnie Johnson (inventor)……What did Mr. Johnson invent?

Mr. Lonnie G. Johnson invented the supersoaker water gun.

Lonnie George Johnson (born October 6, 1949 in Mobile, Alabama) is an American engineer. Johnson invented the Super Soaker water gun, which was the top selling toy in the United States in 1991 and 1992.

Lonnie Johnson was born October 6, 1949 in Mobile, Alabama. His father was a World War II veteran who worked as a civilian driver at nearby Air Force bases, while his mother worked in a laundry and as a nurse’s aid. During the summers, both of Johnson’s parents also picked cotton on his grandfather’s farm.

Out of both interest and economic necessity, Johnson’s father was a skilled handyman who taught his children to build their own toys. When Johnson was still a small boy, he and his dad built a pressurized Chinaberry shooter out of bamboo shoots. At the age of 13, Johnson attached a lawnmower engine to a go-cart he built from junkyard scraps and raced it along the highway until the police pulled him over.

Johnson dreamed of becoming a famous inventor, and during his teenage years he grew more curious about the way things worked and more ambitious in his experimentation—sometimes to the detriment of his family. “Lonnie tore up his sister’s baby doll to see what made the eyes close,” his mother later recalled. Another time, he nearly burned the house down when he attempted to cook up rocket fuel in one of his mother’s saucepans and the concoction exploded.

Johnson grew up in the Deep South in the days of legal segregation and pervasive racism. He attended Williamson High School, an all-black school where, despite his precocious intelligence and creativity, he was told not to aspire beyond a career as a technician. Nevertheless, inspired by the story of the great black inventor George Washington Carver, Johnson persevered in his dream of becoming an inventor.

Nicknamed “The Professor” by his high school buddies, as a senior Johnson represented his school at the 1968 Alabama State Science Fair. The fair took place at the University of Alabama at Tuscaloosa, where just five years earlier, in 1963, Governor George Wallace had literally tried to bar two black students from enrolling in the school by standing in the doorway of the auditorium. Johnson was the only black student in the competition. His entry was a compressed-air-powered robot called “the Linex” that he had painstakingly built from junkyard scraps over the course of a year. He won first prize—as well as a reward of $250 and a handsome plaque—much to the chagrin of the university officials. “The only thing anybody from the university said to us during the entire competition,” Johnson later recalled, “was ‘Goodbye, and y’all drive safe, now.’”

A year later, in 1969, Johnson graduated from Williamson High School as a member of its last segregated class. He earned a scholarship to Tuskegee University—where his idol George Washington Carver had once taught—and graduated with a bachelor’s degree in mechanical engineering in 1973 and a master’s degree in nuclear engineering in 1975.

Upon the completion of his master’s, Johnson joined the Air Force and gradually established himself as an important member of the government scientific establishment. Johnson was assigned to the Strategic Air Command, where he helped develop the stealth bomber program. His other assignments included analyzing plutonium fuel spheres at the Savannah River National Laboratory and working as a systems engineer for the Galileo mission to Jupiter and the Cassini mission to Saturn.

Even while working for the Air Force, Johnson continued to pursue his own inventions in his spare time. One of his longtime pet projects was an environmentally friendly heat pump that used water instead of Freon. Johnson finally completed a prototype one night in 1982 and decided to test it in his bathroom. He aimed the nozzle into his bathtub, pulled the lever and blasted a powerful stream of water straight into the tub. Johnson’s instantaneous and instinctive reaction, since shared by millions of kids around the world: That was awesome.

In 1989, after another seven years of tinkering and tireless sales-pitching, during which he quit the Air Force to go into business for himself, Johnson finally sold his device, renamed the Super Soaker, to the Larami Corporation, which put it into mass production. The Super Soaker, vastly superior to previous generations of squirt guns, quickly became one of the most popular toys in the world and has held its ranking among the world’s top 20 bestselling toys every year since its creation.

Propelled by the success of the Super Soaker, Johnson founded his own company, Johnson Research & Development, since acquiring over 100 patents. Some of his inventions, such as a ceramic battery and hair rollers that set without heat, have achieved commercial success. Others, like a diaper that plays a nursery rhyme when soiled, failed to catch on.

Johnson’s most recent project is his most ambitious and important yet. The Johnson Thermoelectric Energy Converter (JTEC) is an advanced heat engine that would convert solar energy into electricity with twice the efficiency of current methods and without any moving parts. While it remains only a prototype, the JTEC has the potential to make solar power competitive with coal, at long last fulfilling the dream of efficient, renewable solar energy. Johnson hopes to have the JTEC operable within the next several years.

Johnson and his wife Linda Moore have four children and live in the Ansley Park neighborhood of Atlanta, Georgia.

Since leaving the Air Force, Lonnie Johnson has been one of a rare breed of scientists: the independent inventor working outside the scientific establishment. Had he retired upon patenting the Super Soaker, Johnson would still go down as one of the most successful inventors and entrepreneurs of his generation. However, if he manages to perfect the JTEC, Johnson will carve out a much greater place in history as one of the seminal figures of the ongoing green technology revolution. Paul Werbos of the National Science Foundation sums up the immense importance of Johnson’s work: “This is a whole new family of technology … It’s like discovering a new continent. You don’t know what’s there but you sure want to explore it to find out … It has a darn good chance of being the best thing on Earth.”

Next In The “One A Day” Black History Month Series……William Alexander Leidesdorff, Jr.

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